Tag: Spike Lee

Netflix To Distribute Spike Lee-Produced Film ‘See You Yesterday’ | Deadline Netflix has come aboard to distribute See You Yesterday, a travel drama produced by Spike Lee’s 40 Acres and a Mule Filmworks. The pic is the directorial debut from Stefon Bristol, Lee’s long-time NYU Graduate Film School protege.">Netflix To Distribute Spike Lee-Produced Film ‘See You Yesterday’ | Deadline Netflix has come aboard to distribute See You Yesterday, a travel drama produced by Spike Lee’s 40 Acres and a Mule Filmworks. The pic is the directorial debut from Stefon Bristol, Lee’s long-time NYU Graduate Film School protege.

Spike Lee, Netflix, See You Yesterday, Eden Duncan-Smith, Dante Crichlow, African American Cinema, African American Film, Black Cinema, Black Film, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D
Netflix has come aboard to distribute See You Yesterday, a travel drama produced by Spike Lee’s 40 Acres and a Mule Filmworks. The pic is the directorial debut from Stefon Bristol, Lee’s long-time NYU Graduate Film School protege.
Netflix To Distribute Spike Lee-Produced Film ‘See You Yesterday’ | Deadline Netflix has come aboard to distribute See You Yesterday, a travel drama produced by Spike Lee’s 40 Acres and a Mule Filmworks. The pic is the directorial debut from Stefon Bristol, Lee’s long-time NYU Graduate Film School protege." class="btn btn-sm btn-link"> Read More

From Birth of a Nation to BlacKkKlansman: Hollywood’s complex relationship with the KKK | The Guardian Spike Lee’s latest film, about a black detective infiltrating the Klan, once again raises the issue of how seriously cinema should take the white supremacist group">From Birth of a Nation to BlacKkKlansman: Hollywood’s complex relationship with the KKK | The Guardian Spike Lee’s latest film, about a black detective infiltrating the Klan, once again raises the issue of how seriously cinema should take the white supremacist group

African American Film, African American Cinema, Black Film, Black Cinema, Birth of a Nation, BlacKkKlansman, Spike Lee, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, The Five Fifths, FIVE FIFTHS, Willoughby Avenue
Spike Lee’s latest film, about a black detective infiltrating the Klan, once again raises the issue of how seriously cinema should take the white supremacist group.
From Birth of a Nation to BlacKkKlansman: Hollywood’s complex relationship with the KKK | The Guardian Spike Lee’s latest film, about a black detective infiltrating the Klan, once again raises the issue of how seriously cinema should take the white supremacist group" class="btn btn-sm btn-link"> Read More

With BlacKkKlansman, Spike Lee Sounds the Alarm About America’s Past and Present | The Atlantic The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today.">With BlacKkKlansman, Spike Lee Sounds the Alarm About America’s Past and Present | The Atlantic The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today.

African American Film, African American Entertainment, Black Films, Spike Lee, BlacKkKlansman, KOLUMN Magazine, KOLUMN, The Five Fifths, Five Fifths, Willoughby Avenue, KINDR'D Magazine, KINDR'D
The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today.
With BlacKkKlansman, Spike Lee Sounds the Alarm About America’s Past and Present | The Atlantic The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today." class="btn btn-sm btn-link"> Read More

How Spike Lee’s She’s Gotta Have It reboot takes aim at gentrified Brooklyn | The Guardian Lee’s 10-part Netflix remix of his 1986 comedy takes place in a neighborhood that’s become overpriced for and underpopulated by a community squeezed out">How Spike Lee’s She’s Gotta Have It reboot takes aim at gentrified Brooklyn | The Guardian Lee’s 10-part Netflix remix of his 1986 comedy takes place in a neighborhood that’s become overpriced for and underpopulated by a community squeezed out

She's Gotta Have It, Spike Lee, Nola Darling, Mars Blackmon, Greer Childs, African American Cinema, African American Film, KOLUMN Magazine, KOLUMN
Lee’s 10-part Netflix remix of his 1986 comedy takes place in a neighborhood that’s become overpriced for and underpopulated by a community squeezed out.
How Spike Lee’s She’s Gotta Have It reboot takes aim at gentrified Brooklyn | The Guardian Lee’s 10-part Netflix remix of his 1986 comedy takes place in a neighborhood that’s become overpriced for and underpopulated by a community squeezed out" class="btn btn-sm btn-link"> Read More

The Culture Caught Up With Spike Lee — Now What? | The New York Times Magazine After more than three decades as a provocateur, the filmmaker has returned to the movie that made him famous.">The Culture Caught Up With Spike Lee — Now What? | The New York Times Magazine After more than three decades as a provocateur, the filmmaker has returned to the movie that made him famous.

Spike Lee, African American Entertainment, African American Film , KOLUMN Magazine, KOLUMN
After more than three decades as a provocateur, the filmmaker has returned to the movie that made him famous.
The Culture Caught Up With Spike Lee — Now What? | The New York Times Magazine After more than three decades as a provocateur, the filmmaker has returned to the movie that made him famous." class="btn btn-sm btn-link"> Read More

Spike Lee discusses terrorism, race and his work at Virginia Film Festival | Richmond Times-Dispatch “Terrorism is terrorism,” Lee said Saturday afternoon just prior to screening his 1997 documentary, “4 Little Girls,” for a standing-room-only audience at the Paramount Theater.">Spike Lee discusses terrorism, race and his work at Virginia Film Festival | Richmond Times-Dispatch “Terrorism is terrorism,” Lee said Saturday afternoon just prior to screening his 1997 documentary, “4 Little Girls,” for a standing-room-only audience at the Paramount Theater.

Spike Lee, Racism, Charlottesville, African American Entertainment, African American Film, KOLUMN Magazine, KOLUMN
“Terrorism is terrorism,” Lee said Saturday afternoon just prior to screening his 1997 documentary, “4 Little Girls,” for a standing-room-only audience at the Paramount Theater.
Spike Lee discusses terrorism, race and his work at Virginia Film Festival | Richmond Times-Dispatch “Terrorism is terrorism,” Lee said Saturday afternoon just prior to screening his 1997 documentary, “4 Little Girls,” for a standing-room-only audience at the Paramount Theater." class="btn btn-sm btn-link"> Read More

The Samuel L. Jackson Method | The New York Times He builds downtime into a schedule of near-constant work. Call his agent if you have a problem with that.">The Samuel L. Jackson Method | The New York Times He builds downtime into a schedule of near-constant work. Call his agent if you have a problem with that.

Samuel L Jackson, African American Cinema, School Daze, Jungle Fever, Spike Lee, A Time To Kill, KOLUMN Magazine, KOLUMN
He builds downtime into a schedule of near-constant work. Call his agent if you have a problem with that.
The Samuel L. Jackson Method | The New York Times He builds downtime into a schedule of near-constant work. Call his agent if you have a problem with that." class="btn btn-sm btn-link"> Read More

Spike Lee: ‘Black men are still viewed as predators’ – The Guardian Twenty-five years after the LA riots, Spike Lee has made a film about Rodney King, whose beating by the police triggered the uprising. Does he think things have improved in the US? ‘Race is always going to be an issue in this country’">Spike Lee: ‘Black men are still viewed as predators’ – The Guardian Twenty-five years after the LA riots, Spike Lee has made a film about Rodney King, whose beating by the police triggered the uprising. Does he think things have improved in the US? ‘Race is always going to be an issue in this country’

Twenty-five years after the LA riots, Spike Lee has made a film about Rodney King, whose beating by the police triggered the uprising. Does he think things have improved in the US? ‘Race is always going to be an issue in this country’
Spike Lee: ‘Black men are still viewed as predators’ – The Guardian Twenty-five years after the LA riots, Spike Lee has made a film about Rodney King, whose beating by the police triggered the uprising. Does he think things have improved in the US? ‘Race is always going to be an issue in this country’" class="btn btn-sm btn-link"> Read More