Tag: Black Film

Grace Jones on a Lifetime of Doing Whatever She Pleases | The New York Times The documentary “Bloodlight and Bami” showcases the 69-year-old music and fashion icon at her most fierce and most vulnerable.">Grace Jones on a Lifetime of Doing Whatever She Pleases | The New York Times The documentary “Bloodlight and Bami” showcases the 69-year-old music and fashion icon at her most fierce and most vulnerable.

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The documentary “Bloodlight and Bami” showcases the 69-year-old music and fashion icon at her most fierce and most vulnerable.
Grace Jones on a Lifetime of Doing Whatever She Pleases | The New York Times The documentary “Bloodlight and Bami” showcases the 69-year-old music and fashion icon at her most fierce and most vulnerable." class="btn btn-sm btn-link"> Read More

The Cast of ‘Atlanta’ on Trump, Race and Fame | The New York Times The breakout FX comedy, created by Donald Glover, returns with a grittier new season.">The Cast of ‘Atlanta’ on Trump, Race and Fame | The New York Times The breakout FX comedy, created by Donald Glover, returns with a grittier new season.

African American Entertainment, African American Film, African American Cinema, Black Film, Black Cinema, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D
The breakout FX comedy, created by Donald Glover, returns with a grittier new season.
The Cast of ‘Atlanta’ on Trump, Race and Fame | The New York Times The breakout FX comedy, created by Donald Glover, returns with a grittier new season." class="btn btn-sm btn-link"> Read More

Dee Rees wanted to make ‘an old-fashioned movie’ and ended up with an Oscar contender | The Washington Post At the Middleburg Film Festival in October, the director Dee Rees had tears in her eyes. Her movie “Mudbound” had just brought a packed ballroom to its feet and, even though she had been on tour for several weeks with the film — a sprawling historical drama about two families, one African American, one white, working a hardscrabble patch of land in the American South — she was clearly overcome.">Dee Rees wanted to make ‘an old-fashioned movie’ and ended up with an Oscar contender | The Washington Post At the Middleburg Film Festival in October, the director Dee Rees had tears in her eyes. Her movie “Mudbound” had just brought a packed ballroom to its feet and, even though she had been on tour for several weeks with the film — a sprawling historical drama about two families, one African American, one white, working a hardscrabble patch of land in the American South — she was clearly overcome.

African American Film, Black Film, African American Entertainment, Middleburg Film Festival, African American News, KOLUMN Magazine, KOLUMN
At the Middleburg Film Festival in October, the director Dee Rees had tears in her eyes. Her movie “Mudbound” had just brought a packed ballroom to its feet and, even though she had been on tour for several weeks with the film — a sprawling historical drama about two families, one African American, one white, working a hardscrabble patch of land in the American South — she was clearly overcome.
Dee Rees wanted to make ‘an old-fashioned movie’ and ended up with an Oscar contender | The Washington Post At the Middleburg Film Festival in October, the director Dee Rees had tears in her eyes. Her movie “Mudbound” had just brought a packed ballroom to its feet and, even though she had been on tour for several weeks with the film — a sprawling historical drama about two families, one African American, one white, working a hardscrabble patch of land in the American South — she was clearly overcome." class="btn btn-sm btn-link"> Read More

‘Bad Lucky Goat’: Film Review | SXSW 2017 | The Hollywood Reporter Bad juju makes for good comedy in this first feature by Bogota-based Samir Oliveros that screened at SXSW.">‘Bad Lucky Goat’: Film Review | SXSW 2017 | The Hollywood Reporter Bad juju makes for good comedy in this first feature by Bogota-based Samir Oliveros that screened at SXSW.

Black Film, Bad Lucky Goat, Samir Oliveros, KOLUMN Magazine, KOLUMN
Bad juju makes for good comedy in this first feature by Bogota-based Samir Oliveros that screened at SXSW.
‘Bad Lucky Goat’: Film Review | SXSW 2017 | The Hollywood Reporter Bad juju makes for good comedy in this first feature by Bogota-based Samir Oliveros that screened at SXSW." class="btn btn-sm btn-link"> Read More

Sabaah Folayan: You Don’t Need to Wait for Permission to Become an Activist | Elle We speak to the director of a powerful documentary about Ferguson.">Sabaah Folayan: You Don’t Need to Wait for Permission to Become an Activist | Elle We speak to the director of a powerful documentary about Ferguson.

Whose Streets, Ferguson MO, Sabaah Folayan, African American Communities, African American Film, Black Film , KOLUMN Magazine, KOLUMN
We speak to the director of a powerful documentary about Ferguson.
Sabaah Folayan: You Don’t Need to Wait for Permission to Become an Activist | Elle We speak to the director of a powerful documentary about Ferguson." class="btn btn-sm btn-link"> Read More

Gentleman Jack And Omari Hardwick Celebrate African American Filmmakers With Real To Reel – Gentleman Jack Aspiring film creatives can enter now for a chance to win $10,000 and a VIP trip to Miami Beach">Gentleman Jack And Omari Hardwick Celebrate African American Filmmakers With Real To Reel – Gentleman Jack Aspiring film creatives can enter now for a chance to win $10,000 and a VIP trip to Miami Beach

Gentleman Jack | Gentleman Jack, Real-to-Reel Gentleman Jack Double Mellowed Tennessee Whiskey is joining with Codeblack Entertainment and TVOne to support and highlight bold, new African American voices in film, with its Real to Reel contest. Participating filmmakers across the country will have a chance to win $10,000 and a VIP trip to Miami Beach to screen their short film […]
Gentleman Jack And Omari Hardwick Celebrate African American Filmmakers With Real To Reel – Gentleman Jack Aspiring film creatives can enter now for a chance to win $10,000 and a VIP trip to Miami Beach" class="btn btn-sm btn-link"> Read More