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That time Dizzy ran for U.S. president | JAZZIZ

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That time Dizzy ran for U.S. president | JAZZIZ

Dizzy Gillespie For President, Dizzy Gillespie, African American History, Black History, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, WRIIT, TRYB,

MATT MICUCCI, THE ROOT

Trumpeter Dizzy Gillespie wasn’t only a key innovator of bebop and the jazz idiom at large; he was also known for being a prankster whose mischievous humor occasionally got him in trouble. He played his most remarkable prank in 1963 and 1964, when he got as close to becoming president of the United States as a black jazzman possibly could.

His campaign started as a joke. A few years earlier, his booking agency had buttons with the slogan “Dizzy Gillespie for President” as a gag. The very same buttons were enlisted in his campaign, which kicked off during a staged rally in Chicago. Proceeds from the sale of the buttons went to the Congress of Racial Equality (CORE).

 

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Featured Image, JAZZIZ Essentials: Dizzy Gillespie for President, JAZZIZ Magazine
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John Birks “Dizzy” Gillespie (October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks, and his light-hearted personality provided some of bebop’s most prominent symbols.

See Also
African American Politics, Black Politics, Black Vote, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, Wriit,

In the 1940s Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles DavisJon FaddisFats NavarroClifford BrownArturo SandovalLee MorganChuck Mangione, and balladeer Johnny Hartman.

Scott Yanow wrote, “Dizzy Gillespie’s contributions to jazz were huge. One of the greatest jazz trumpeters of all time, Gillespie was such a complex player that his contemporaries ended up being similar to those of Miles Davis and Fats Navarro instead, and it was not until Jon Faddis‘s emergence in the 1970s that Dizzy’s style was successfully recreated [….] Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time”.

Source – Dizzy Gillespie (Updated: 20 October 2020) Wikipedia. Available at https://en.wikipedia.org/wiki/Dizzy_Gillespie, (Accessed: 30 October 2020)

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