James Baldwin, Go Tell It On The Mountain, Giovanni's Room, If Beale Street Could Talk, Notes of a Native Son, Nobody Knows My Name: More Notes From a Native Son, Another Country, The Fire Next Time, Going to Meet the Man, African American Activist, Black Activist, African American Author, Black Author, African American Literature, Black Literature, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, Wriit,

Barry Jenkins Brings James Baldwin Home to Harlem | The Atlantic

Read Time 1 min.

Barry Jenkins Brings James Baldwin Home to Harlem | The Atlantic



[dropcap]In[/dropcap] the July 1960 issue of Esquire magazine, the essayist and fiction author James Baldwin wrote a piercing love letter to the neighborhood of his birth. “Fifth Avenue, Uptown” detailed the beauty and burdens of life in Harlem, tracing the roots—and, more importantly, the effects—of housing segregation, anti-black policing, and the mundane horror of poverty. [mc4wp_form id=”6042″]

James Baldwin, If Beale Street Could Talk, Beale Street, African American Literature, African American Book, Jazz, Original Art Form, KOLUMN Magazine, KOLUMN, KINDR'D Magazine, KINDR'D, Willoughby Avenue, African American News

Baldwin’s reflection ended with an exhortation to the white Northern reader: “It is a terrible, an inexorable, law that one cannot deny the humanity of another without diminishing one’s own: In the face of one’s victim, one sees oneself,” he wrote. “Walk through the streets of Harlem and see what we, this nation, have become.”

But Baldwin’s Harlem was never defined solely by the external circumstances that shaped it, or by the adversity that characterized its residents’ lives. Though mired in hardship, Baldwin’s Harlem held a distinct tenderness. The black people who called it home shared a kind of love that buoyed them—and the neighborhood—through storms of injustice.