While African-American stars such as Chuck Berry and Little Richard pioneered key elements of rock ’n’ roll in the early ’50s, the genre became overwhelmingly associated with white artists by the mid-’60s, leaving many black listeners and musicians feeling angry, alienated or both.

In just the past few years, a shift has occurred, one that helps young black rock acts succeed in ways that would have been impossible when the BRC began. “The younger black person getting into music now would be much more encouraged,” Tate says. “This is a great moment to be a genuinely ‘weird’ black artist.” Keep Up With This Story And More By Subscribing NowTate isn’t talking Bootsy Collins weird. He means those artists “weird” enough to buck assumptions about what kind of music black players can market. Some of the most commercially potent and critically celebrated rock stars of the day include artists like Gary Clark Jr., a 33-year-old blues rocker who is arguably the top young guitar hero of the moment. He’s bolstered by two Billboard top 10 albums, and his cover of the Beatles’ “Come Together” is a rock radio staple.Virginia-born garage rocker Benjamin Booker has earned some of the most glowing reviews of 2017 for Witness, released on ATO, Dave Matthews’s label, while Alabama Shakes, a multiracial band fronted by a black woman, Brittany Howard, has two gold albums and three Grammys, as well as a 2018 nomination for best American roots performance for “Killer Diller Blues.” (In a coincidence, this year the Rock & Roll Hall of Fame will induct Sister Rosetta Tharpe, an African-American artist who influenced Little Richard and Elvis Presley, as well as Howard.)

Michael Kiwanuka, Alabama Shakes, Gary Clark Jr., Black Rock Coalition (BRC), BRC, African American Musicians, African American Rock & Roll, KOLUMN Magazine, KOLUMNAlysse Gafkjen | Photo Credit

Michael Kiwanuka, Alabama Shakes, Gary Clark Jr., Black Rock Coalition (BRC), BRC, African American Musicians, African American Rock & Roll, KOLUMN Magazine, KOLUMNMichael Kiwanuka | Music Artist

Michael Kiwanuka, Alabama Shakes, Gary Clark Jr., Black Rock Coalition (BRC), BRC, African American Musicians, African American Rock & Roll, KOLUMN Magazine, KOLUMNGary Clark Jr. | Music Artist


NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY & CULTURE | WASHINGTON, DC

The National Museum of African American History and Culture is the only national museum devoted exclusively to the documentation of African American life, history, and culture. It was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. To date, the Museum has collected more than 36,000 artifacts and nearly 100,000 individuals have become charter members. The Museum opened to the public on September 24, 2016, as the 19th and newest museum of the Smithsonian Institution. (Website).


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KOLUMN Magazine celebrates the lives of People of Color by giving our world texture.