African American Education, HBCU, Affirmative Action, KOLUMN Magazine, KOLUMN

The Black Renaissance Is Real: HBCUs See Record Growth in 2017 | The Root Last week I went to Howard University’s homecoming, and like Deon Cole, Chance the Rapper and Malia Obama at the 2012 inauguration, I was reminded that once you see the bands stomping, the music playing and the quad popping, you know that nobody throws a party like an HBCU.

Five In between panels on the future of HBCUs and the Golden Era: ’80s and ’90s party (flannel and throwback jerseys in full effect), I noticed something in the various Instagram and Facebook posts from friends at Morehouse and Spelman colleges, not to mention Texas Southern University and Morgan State, last weekend. These crowds are getting bigger. New dorms are being thrown up. And you meet more and more transfer students.

HBCUs across the country are experiencing record-breaking incoming classes and transfer numbers. The question is, why did his happen, and how can we keep the party going?

The negative narrative on HBCUs has been stuck on repeat for almost 40 years. The schools peaked in the 1970s (pdf), but integration into predominantly white institutions, federal funding discrimination, financial mismanagement and administrations that make the DMV look efficient plagued what were once the crown jewels of black academic and cultural achievement. In fact, if you type “crisis” and “HBCU” into Google, you get hits for days. However, the narrative no longer matches up to the facts.

African American Education, HBCU, Affirmative Action, KOLUMN Magazine, KOLUMNAndrew Francis Wallace/Toronto Star | Photo Credit

African American Education, HBCU, Affirmative Action, KOLUMN Magazine, KOLUMN


The National Museum of African American History and Culture is the only national museum devoted exclusively to the documentation of African American life, history, and culture. It was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. To date, the Museum has collected more than 36,000 artifacts and nearly 100,000 individuals have become charter members. The Museum opened to the public on September 24, 2016, as the 19th and newest museum of the Smithsonian Institution. (Website).