Sanford Biggers, African American Art, African American Artist, Black Art, Black Artist, KOLUMN Magazine, KOLUMN

Sanford Biggers Summons the Power of Deep Music | Hyperallergic

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Sanford Biggers Summons the Power of Deep Music | Hyperallergic



[dropcap]Sometimes[/dropcap] my experience of one piece of art illuminates another. Recently, I visited the 8th Floor Gallery to see Elia Alba’s exhibition, The Supper Club, which features a panoply of photographic portraits of contemporary artists. Among them is one of Sanford Biggers, titled “The Syncretist (Sanford Biggers)” (2014). As with the other portraits, the title provides insighMarianne Boesky galleryMarianne Boesky gallery, Selah. Syncretism has to do with the conjoining of distinct cultural systems, or the elements thereof. The process is primarily associated with the history of religion, that is, belief systems, and Selah recognizes that being black in the United States is a syncretic state of being, that the African and the American have become lodged together in ways that are at times brilliant, grandiose, and also violent and inscrutable. [mc4wp_form id=”6042″]

Sanford Biggers, African American Art, African American Artist, Black Art, Black Artist, KOLUMN Magazine, KOLUMNMatt Booth | Courtesy the artist and Marianne Boesky Gallery, New York and Aspen, © Sanford Biggers

Sanford Biggers, African American Art, African American Artist, Black Art, Black Artist, KOLUMN Magazine, KOLUMNObject Studies | Credit

Sanford Biggers, African American Art, African American Artist, Black Art, Black Artist, KOLUMN Magazine, KOLUMNMatt Booth | Credit


NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY & CULTURE | WASHINGTON, DC

The National Museum of African American History and Culture is the only national museum devoted exclusively to the documentation of African American life, history, and culture. It was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. To date, the Museum has collected more than 36,000 artifacts and nearly 100,000 individuals have become charter members. The Museum opened to the public on September 24, 2016, as the 19th and newest museum of the Smithsonian Institution. (Website).