Thelma Golden in her office at the Studio Museum in Harlem. Photo by Julie Skarratt, courtesy of the Studio Museum in Harlem. Featured Image
I HAVE lived in Harlem for half my life — 30 years. I have seen it in all its complexities: a cultural nexus of black America, the landing place for Senegalese immigrants and Southern transplants, a home for people fleeing oppression and seeking opportunity. Harlem is the birthplace of so much poetry and music and beauty, but in the eyes of many who have never set foot here, it has long been a swamp of pain and suffering.
It is also changing, rapidly. A few years ago I was on Eighth Avenue, also known as Frederick Douglass Boulevard, picketing a fund-raiser for a politician who was pushing for denser mixed-use zoning along 125th Street, the “Main Street” of my sprawling neighborhood. Harlem has seen an influx of tourists, developers and stroller-pushing young families, described in the media as “urban pioneers,” attracted by city tax abatements. New high-end housing and hip restaurants have also played their part. So have various public improvements, like new landscaping and yoga studios. In general all this activity has helped spruce the place up. Not surprisingly, on that day a few passers-by shot us ugly looks, as if to say, “Why can’t you accept a good thing?”
But even then, a few boys passing by on their bikes understood what was at stake. As we chanted, “Save Harlem now!” one of them inquired, “Why are y’all yelling that?” We explained that the city was encouraging housing on the historic, retail-centered 125th Street, as well as taller buildings. Housing’s good, in theory, but because the median income in Harlem is less than $37,000 a year, many of these new apartments would be too expensive for those of us who already live here.
Hearing this, making a quick calculation, one boy in glasses shot back at his companions, “You see, I told you they didn’t plant those trees for us.”